Acid-free: |
The term refers to paper,
which is free from the damaging level of low pH. Most of the papers
used in printmaking are normally acid-free. |
After: |
In this method, printing is done after the printmaker
copies the image from the painting or drawing of an artist. |
A la poupée: |
This is an intaglio method for inking many colors
directly on a single plate, using small cotton dabbers called dollies.
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Antique print: |
Any print that is published or printed before
1900 is considered as antique print. The cut-off date is not fixed,
so many original prints created before World War II is considered
as antique. |
Aquatint: |
An etching method that creates toned
areas by sprinkling the fine particles of resin on the
plate before contact with an acid. The
result gives the effect of a grain, which is similar to
watercolor. |
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Blind stamp: |
A blind stamp also known as chop mark, is a
brocaded seal on a print for the purpose of differentiating by
the publisher, the artist, a collector, or an institution. |
Block: |
A block is a piece of wood used as a matrix for
a print. These blocks are mainly used for wood engravings or wood
cuts. |
Brayer: |
A roller used to apply ink on a block or plate.
This is made up of gelatin compound or a hard rubber. |
Cancellation: |
The term is used to assure that a plate, or
any other matrix from which limited edition is printed, can no
longer be used. Sometimes the image is defaced or the plate is
cut up and recycled. |
Chine collé: |
Chine collé is a method of printing an
image on a thin sheet of paper mounted on a backing sheet during
a single pass through the press. |
Chromolithograph: |
A method in which large number of lithographic stones
are used to perform complex color separation. |
Dabber: |
An instrument used for grinding pigments on
an etching plate. The bottom of the dabber is covered with thick
pad of wool surrounded by leather. |
Dry-point: |
Drawing or painting directly on the plates creates
a rough burr along the furrow. The result of the dry point is
the soft lines with an engraving. |
Dutch mordant: |
This is used as an alternative to nitric acid
in etching. This is a mixture of potassium chlorate and hydrochloric
acid. |
Edition: |
An edition is the number of prints produced
from one plate, at the same time. This may be limited edition,
or an open edition. |
Engraving: |
Engraving is a method of drawing in an intaglio
plate without creating burr or using acids that stick on the soft
line. |
Etching: |
Etching is a process for producing a design
in a plate to prepare it for intaglio printing. The process is repeated
several times to prepare the plate for artistic control. |
Flat bed: |
The term used in print making to identify techniques
such as lithography and serigraphy. |
Flock print: |
In this method, the block is surfaced with glue
and finely chopped textile material is sprinkled on the glue.
The result of this method is a soft print with indistinct outlines.
|
Giclée: |
The term is used to define the images created
with high
quality inks, from high resolution digital scans. This type
of printing gives greater color accuracy than other types of replication.
|
Glyptography: |
This is an electrotype method in which a copy
of an engraved plate is used for letterpress printing. |
Hickey: |
The term is used to describe an undesirable
mark in printing, made by dirt on the press or in the ink. |
Intaglio: |
In the intaglio print, an image is printed from
a recessed design etched on the surface of the plate. The lines
in the plate stand in relief on the paper. |
Linoleum cut: |
This technique is similar to wood cut, but linoleum
is used instead of wood. |
Matrix: |
The surface (metal, wood, or stone) on which
the image is created. This is used to create an impression on
the paper to make a print. |
Offset-lithography: |
In this type of printing method, indirect image
is transferred from photochemical plates. The plate transfers
ink to a cylinder, which offsets the ink
on the paper. |
Plate-mark: |
Plate- mark is an impression created on the
paper by the plate, when the paper passes through the press. |
Reduction printing: |
This type of printing is made for registration
purposes. Here, largest color areas are printed first, followed
by the next size in sequence. |
Serigraph: |
This is a stencil printing process in which
the paint is forced through the silk screen on to the textile
or paper. |
Template: |
This is used to assure proper centered image
or color registration in the printing methods. |
Verso: |
The term refers to the left-hand page in a book.
In prints, it refers to the backside of the print. |
Watermark: |
A watermark is a pattern embossed in a piece
of paper for identifying paper and papermaker. |
Zincograph: |
This is a lithograph made on a zinc plate.
The term is also used to define a photo etched print. |