Getting Started: Deactivating Stagnation in Writing
By Ismail Baroudy, Ph.D.,
Department of English,
Faculty of Humanities and Letters,
Shahid Chamran University,
Ahvaz, IRAN
Email: Ibaroudy2006[at]yahoo.com
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Abstract
Despite a historical event, such as that
of a paradigm shift;from product
to process, in the domain of the writing pedagogy, student-
writers, having been provided with theory and rationale
in vogue, are reported to have been found yet debilitated
in writing. They still fail to practice the skill of writing
as a rewarding process of discovering meaning. To overcome
such a traumatic enigma, the approach known as that of process
writing urgently needs to be systematically analyzed, described,
and even contrastively compared with that of product writing.
This essential prerequisite, as it has been reasonably recommended,
should indispensably abide by the sequential trilogy of
approach, design and procedure. The
study here, accordingly, aims at elaborating on the labeled
instructional activities specifically allocated for the
implementation of process writing. This is categorically
embedded within the ‘design’ of the process scheme and the
student-writers, if technically informed about its instructive
details, will hopefully turn out quite different in their
writing endeavors and accomplishments. Student-writers if
armed with the conducive clues of a bulk of knowledge as
such are optimistically expected to successfully embark
on real writing assignments; thus, actualizing the true
merits and privileges of a dramatic shift in the writing
pedagogy they have willingly and intelligently submitted
themselves to.
Keywords: Writing Pedagogy, Paradigm Shift, Process Writing, Instructional
Activities, Pre-writing Techniques.
Introduction
Distinct types of teaching activities are detected to have been worked out to
serve as distinguishing factors according to which methods,
approaches, as well as designs, whether of product bound
culture or process wise nature, can be readily categorized,
described and compared. In fact, Richards and Rodgers (2001:
26) assert that:
The objectives of a method,
whether defined primarily in terms of product or process,
are attained through the instructional process, through
the organized and directed interaction of teachers, learners,
and materials in the classroom. Differences among methods
at the level of approach [and the paradigm as well] manifest
themselves in the choice of different kinds of learning
and teaching activity in the classroom.
These activities which are supposed to prospectively get manifested and actualized
in classroom performances, due to their sharp tendencies,
enjoy some specific, exclusive preferences. Some of them
may lay its pressure on communicative activities, which
in compliance with the purposes targeted, they endeavor
to facilitate the development of notional-functional syllabi.
Thus, most willingly, they enthusiastically consider a syllabus
intensively entreating activities, which enhances and promotes
second language learners’ fluency on interacting and transacting
via the target language. Whereas, on the other hand, a class
conducted by a different type of a teacher, who intensively
focuses on capacitating his/her student-writers to acquire
linguistic competency; a linguistic body of knowledge to
reside materialized in the left hemisphere of the brain.
This body of knowledge, in fact, can be formed when student-writers
are granted adequate amount of exposure to comprehensible
language. Such a requirement, if fulfilled, a set of finite
number of rules can be internalized to help learners potentially
generate an infinite number of well-formed grammatical sentences.
Teachers, on abiding by product activities, will inevitably
find to themselves a kind of a teaching route that mainly
capitalises on stipulating the principles of correctness,
reducing the possibilities of error-occurrence which can
be typically manifested by accuracy activities as a denominator
of success in language learning.
The whole case of learning and teaching a second language can be elaborated on
specifying the two trends of teaching activities; accuracy
and fluency, as two sharply diverse objectives. While fluency
oriented activities aim at abiding by psycholinguistic processes
inherently undergone in language acquisition, the accuracy
wise inclination capitalises on the mastery of particular
features of grammar. Differences in activity types in methods
or approaches may also involve different arrangement and
grouping of learners. Accordingly, product and process approaches
to writing are classified by different types of activities
and arrangements: thus, student-writers require creating
diverse communities of practitioners who are contrastively
treated to meet their objectives in the domain of writing.
In case of being involved with commitment in those specific activities, the cumulative
experience, admittedly, provides them with mature instructive
learning as what type of principles, activities or tasks
can be utilised and how much weight is to be assigned to
each activity. Besides, the activities rationally selected
out for the manifestation of process writing as a specific
trend in developing writing abilities are tapped to mainly
highlight opportunities enhancing the development of composing
skills (planning, drafting, and revising). Obviously, if
the objectives are to maintain product-oriented purposes,
those that are supposed to be chosen will be quite dissimilar
if compared to the former’s priorities. In product based
tendency, say, so as to assist the student-writers with
their writing objectives, they are granted more chances
to perform activities, helping student-writers gain control
over the machines of writing.
A process writing course, for instance, may be roughly organized around the instructional
activities stated below:
1. Brainstorming
2. Quickwriting
3. Group
writing
4. Peer
feedback sessions
5. Blackboard
writing
6. Free
composition activities
7. Analysis
of modes of good writing
Process writing, in fact, requires a different approach to the design of instructional
activities. The activities need to fulfill functional requirements
and to embrace the different stages observed in the writing
process. They may focus on the prewriting/rehearsing/revising
phase. To help student-writers develop ideas, generate plans,
serve initial stimulus for writing and provide motivation,
specific activities such as the ones recommended below can
be found effectively helpful.
1. Journal
writing
2. Brainstorming
3. Free
writing
4. Focused
free writing
5. Quick
writing
6. List
writing
7. Cubing
8. Looping
9. Letter
writing
10. Asking questions
11. Inventory
12. Scratch outline
13. Outlining
14. Interviewing
15. Visiting locality
16. Monologues
17. Survey talking
18. Fantasising
19. Oral composition
(verbalization)
20. Classical invention
21. Oral reading
22. Silent reading
23. Debating
24. Using mother
tongue
25. Drafting
26. Thinking without
writing
27. Role playing
28. Analogy
29. Sleeping on a
subject
30. Using pictures
In fact, such types of activities prepare student-writers to realistically embark
on the task of writing as meaning-making trend. The task
of writing and drafting also require specific kind of activities
some of which are found as listed below:
1. Strategic
questions
2. Timed
writing
3. Elaboration
exercises
4. Reduction
exercises
5. Jumbled
paragraph
6. Jumbled
essay
7. Writing
topic sentences
8. Writing
thesis sentence
9. Quickwriting
10. Group drafting
Having the phases of prewriting/criticizing and rehearsing and writing/drafting
done, the phase, which entertains revising, emerges. In this,
some activities are prioritised to be manifested in writing
classrooms, some of which can be mentioned appearing as follows:
1. Peer
feedback
2. Group-correction
3. Rewriting
exercises
4. Revising
heuristics
5. Teacher
feedback
6. Check
list
Some of the crucial prewriting strategies, which are significantly advantageous
in provoking thought, generating information and stimulating
background knowledge and facilitating retrieval are elaborately
discussed in the following pages:
Cubing
The prewriting activity called cubing that has been coined by Elbow (1985) is
an information gathering technique. It is seriously accounted
for to serve as a potent initiative, which can be manipulated
in writing classrooms to help the desired objectives blossom
via liberating the captivated thoughts. Commonly, a mental
block may be the outcome, when some one sits for writing
or carrying nothing but a tabula raza to get started. Cubing
is the problem-solving technique, which helps thinking about
the topic and accumulates a sufficient amount of words on
paper. Actually, such a tool can be found utterly practical
when a student -writer reaches the point where a subject
has already engaged his/her mind, and now he/she is thoroughly
prepared to write it down. The subject can be viewed and
explored from six conceptual profiles: description, analysis,
application, comparison, association and persuasion. The
six areas of the cube are considered representing six types
of writing assignments. Student-writers are assigned to
carry them out tapping the new thought reservoirs. They
are required to have the different dimensions of a specific
topic adequately explicated. In other words, that specific
topic can be responded to form six perspectives. These perspectives
can be reviewed by allocating a mini-assignment to be fulfilled;
thus, generating new unexpected information according to
which the writing task can be rapidly and fluently finalized.
Once having those six mini assignments met a persuasive
end, the topic will be assessed and discussed from six angular
views, quite adequate cumulative data can be piled up to
bring about that sure start which has long been awaited
for. To elaborate on this, student-writers are granted golden
opportunities to experience a practical realization of how
the aforementioned technique can be rendered generous enough
to generate a bountiful amount of blade-edged information
type apt to facilitate the development of the selected topic
on writing. A model which has been reproduced by (Spack:1984)
is presented here. She offered her aid guidance to the writing-teachers
who aim at helping their student-writers exploit most effectively
such a prewriting technique. Student-writers for appropriate
achievement are advised to conform themselves to the imperative
requirements stated below:
1) Describe it:
examine topic or subject closely and tell what you think
it is all about. The topic in case of being an abstract
one such as cooking can be disregarded whereas the writer
should get involved in writing the cubical perspective
he/she is pursuing.
2) Compare the
topic or the objects to some others you have come across
before, i.e. what is it similar to? different from? Usually
a comparison espouses likenesses and differences.
3) Associate it
with something you are familiar with already, i.e. what
does it reminds you about? What correlatives can be established
with what and whom? In fact, what does it prop in your
mind once you hear and read that.
4) Analyze it:
point out what it is made of. Explain how it is manufactured.
5) Apply it: how
is the item mentioned to be used? How can it facilitate
the currency of living? What improvements does it bring
about? What can be done with it?
6) Argue for it
or against it: give justification for your positive or
negative stance. Defend your position giving satisfactory
reasons. Be stable in adopting one single position. Support
your position by giving various detailed evidences.
Once the six perspectives are industriously and diligently expanded, a lot of
ideas and materials will be made ready. Since they are potentially
energetic saturated with loaded power, they will certainly
generate more ideas and thoughts appropriate to eventually
develop into a mature well embodied type of paragraph or
essay.
Free writing
Free writing is one of the dependable versatile prewriting techniques which can
be invariably used by student-writers to enforce the nucleated
dormant thoughts dramatically germinate, prop and plop,
sliding smoothly to richly mark the awaiting, impatient
blank slice of paper. In handling such a thought-provoking
technique, student-writers will be assigned to write furiously,
as freely as possible, without deterrence or hesitation.
A given pre-set duration of time, say five, eight or ten
minutes time is allocated to generate accumulating as much
as possible details in the form of structured words that
are relevantly assembled on the null sheet. Actually, free
writing can be taken to serve as a rescue measure in those
serious blocking moments. Tucker and Costello (1985) define
free writing as a “non-stop writing” and they add that it
can be compared to warming up exercises athletes do before
a competition. They address the writers to point out that
free writing’s purpose is “to loosen up the muscles of the
brain, while encouraging the student-writer to relax and
to see that writing is a process that includes many stages”.
Some who show deep interest in scribbling on paper urge
themselves violently, due to the formal nature of writing,
to do it tight right at the outset from the sitting. Student-writers
of such category are in fact self-stumbling type of fellows
who unconsciously and innocently have their following tendencies
checked and suppressed. Student-writers who carry out free
writing or warming up exercises are strictly advised to
forget caring about being grammatical and accurate. They
are also encouraged to ignore insisting on observing the
mechanics and providing organization. Occasionally, some
student-writers, at the expense of being neat and clean,
inhibit themselves with clamours longing for punctuation
or getting busy with erasing. Actually, when a student-writer
freewrites he/she should strictly overlook correcting, revising
or polishing the finished product. Chastain (1988:24) in
supporting what superseded asserts that. “the goal of free
writing is to write. The writers should entirely concentrate
on the creative process. He/she should not even consider
criticizing what he/she is saying because criticism hinders
the flow of ideas and results in hesitation and blockage
to ideas. Free writing stimulates the flow of thought and
encourages it to continue uninterrupted”. Accordingly, student-writers
are didactically instructed not to plan beforehand, organize
neatly, revise or proofread while they are actively busy
doing free writing. Surely, student-writers will discover
it themselves that, from time to time, they are almost helpless
in writing even a few sentences by free writing, and in
some other cases, they may come up with just scanty amount
of clipped or crippled sentences or even some type of non-sentences.
This should not discourage them. It happens at times quite
so often. They can merely engage themselves copying uninterrupted
in chain the only sentence they have got started with or
without reflecting their blocked-bogged condition as practicing
resisting writing “I can’t write what I want to have it
said” till an opening inlet of hope may leak out emerging
unnoticed. Rozenberg (1989) expounds on such case by stating
that,
“At first you may find that you write very little in ten minutes. After doing
in this exercise for two or three weeks, however, you
will be surprised at how easy it is to get started and
how much you are able to write. You may also discover
that you being to notice more about the world around you…
… what if you run dry and can’t think of any thing more
to write about? Simply copy your last sentence over and
over again until something else comes to your mind. Or
if you like, draw a conclusion from what you’ve written
or write a one sentence summary- and then more on a new
topic. But make sure you keep writing for ten minutes”.
Elbow (1981:13) deplores the time and energy “spent not writing” and states that
free writing is the best way to learn. Separating the producing
process from the revision process and to continue emphasizing
the above mentioned contribution is to be actualised by
elaborating that “Free writing is the easiest way to get
words on paper”. Thus, one can stimulate the students to
commit themselves conforming to simply forcing themselves
to write without stopping for a non-stop ten –minute writing
assignment.
Journal keeping
One of the most rewarding experiences in case of aiming to be proficient in sports,
arts or winning a successful educational career is seen
purely due to the constantly and regularly practicing that
favourite interest. Having got the exercises continually
done once a week does not evolve an unexpected exceptional
sort of attitude in a specific skill. Like any other type
of skill, writing requires a prolonged ceaseless laborious
practice till the required objectives will be utterly accomplished.
Most good writers write almost daily. Writing is a daily
habit at most good writers. Every successful writer allocates
specific quota of time to carry out his/her writing activities;
every morning, every afternoon or any time he/she prefers
that to be performed. All writers, without exception, do
know that nothing can be found easier than remaining paralysed;
not writing. Writers should disregard thousands of reasons
for not doing or putting off their daily habits of writing.
Student-writers should resist those temptations of whatsoever
sort they might be. A writer, in the real sense of the word,
is some one who is able and does write habitually and frequently.
Accordingly, journal keeping as a prewriting activity which facilitates the generation
and preparation of ideas is a very personal activity based
on which the student has to be efficiently self disciplinistic.
In doing so, the student will truthfully benefit from the
chance of rendering his/her thoughts and feelings into linguistic
or descriptive mode of aggregated words in the surest, safest
way, ever been possible. Practicing writing journal in an
unconfined manner enhances the individual’s self concept
of writing; and in the act of writing; consequently, it
gets demystified. Writing turns out to be a dependable convenient
task; simple to be done for the purpose of personal self
-expression.
To get regular practice in writing, student-writers can keep a journal for an
assigned period of time; say one or two weeks. The time
spent on writing journal can be a time for self-examination,
reflection, introspection and time to ever remember hereafter.
Therefore, student-writers are advised to write for a predetermined
minimum amount of time; no more than ten or fifteen minutes
during each daily journal-writing session.
Not only keeping a journal is a proper way to get daily practice, it also gives
the student-writer the golden opportunity to experience
and manipulate specific writing skills. The journal allows
the student-writer to describe objects, people, and events
from different perspectives, to practice caring for details,
to eventually focus. The journal assists the student-writer
to realize and discover what he/she really thinks of, some
issues or persons.
The journal in fact, can serve as a notebook of the student-writer’s ideas: a
source in terms of which a story or an essay can be logically
and patiently developed. That’s why the use of notebook,
spiral or fly leaf, in which students can write about their
experiences both in and out of school or can record responses
and reactions to learning and learning activities technically
referred to as that of learning logs, journals or learning
journals. The use of learning logs by student-writers provides
them with an opportunity to reflect and comment on learning,
and is usually shared by the teacher on a regular basis
without being graded. In this way, the teacher will be enabled
to find out if the student in question is making progress
in addition to the student-writers gaining additional opportunities
to practice the task of writing.
Learning logs can be used in writing-classes to monitor a pre-writing activity and also as
a method of motivating students to develop fluency in writing
through regularly writing on topics of their own choices.
Learning logs, when utilized for the purpose of establishing
a dialogue between teacher and student-writer by means of
interrogation or commentary, they are referred to as dialogue
journal or diaries (Richards, Schmidt, Platt & Schmidt: 2003).
All student-writers have a lot of chances at their disposal to discover about
themselves and others, about the world they are encircled
by and the ties they cherished through long experience with
it. The way to explore their life events is to let it be
bounced back open in a wall documented journal. Scribbling
about ideas, emotions, problems fantasies, dreams and incidents
is the stepping-stone toward understanding them each and
developing intelligent self-awareness. Besides, recording
in a journal creates a momentum to experiment with stylistic
varieties by merely attempting at “voice” and “techniques”.
In such moments, student-writers can be helped therapeutically to actualize
themselves. Such a desire makes writing possible since writing
is one of the significant forms of self-actualization. Students
themselves first and foremost can be directed “to collect
themselves in a journal”. (Rohman, 1965:36). A daily performance
of some sort is required from the student-writer without
stipulating length restriction.
Good writers who keep on writing journal are in fact persons with real involvement
unlike writers with “phony involvement” (Rohman, 1965:37).
Journal is said to serve as one of the vital procedures
of accessing student-writers with real involvement in their
subjects and in themselves. Journal can be exploited to
render the writing- task real for students as well as teachers.
Teachers can receive great delight in reading those writings
done mainly for real purposes.
A journal by whatever names it is chosen to be called: a diary can bountifully
grant rewards. Notebooks can start as a simple record of
daily activities. Such a record will be naturally developed
into a valuable collection of thoughts, feelings and experiences.
Student-writers will be engaged in writing anything possible;
all the roamings and ramblings of the mental course which
eventually will be ended up with the emergence of something
quite unexpected. Journal can serve as a vehicle for communicating
with self; through writing and reading the daily recorded
items. The journal can readily function as a source for
paper topics, which frequently supply the student-writers
with the sparks of an idea that eventually grows into a
well-done mature essay in genre.
Students who have been interviewed in this respect expressed their views in various
positive ways. Some of those students were so lucky as they
had not had the sweet experience of conveying their thought
non-defensively. This was their first time they ever had
themselves stated. One of the students quoted in Rohman
(1965:37) asserts, “I wrote in my journal for several weeks
before I realized that I was doing so for more than just
a course. It began to mean something to me. It became more
than just a proving ground for my themes…. It became a vital
part in my whole life”.
Teachers are advised to seriously assign journal writing due to its nature, which
requires little marking. The purpose of journal writing
is to allow students to record their thoughts without concentrating
on the written form. Most usually, it is found that foreign
student-writers are so concerned with surface structure
of their writings that they rarely spend time considering
the ideas they are writing about. It is also worth mentioning
that journals are non-threatening forums in which students
can express their ideas with minimum concern about thought
and structure. Needless to say, they can serve as a source
of ideas that students can appropriately make use of in
their later compositions.
The following guidelines are mentioned to sincerely serve the laborious student-writers
as well as industrious teachers on endeavouring to accomplish
their prospective purposes. They can be observed:
1) to keep a journal
,a notebook or a loose leaf binder is required.
2) a list of topics
that will stimulate the student-writers to think and explore
may be made available to them.
3) Student-writers
are advised to write on regular basis daily in their journals.
4) Student-writers
are instructed to write on varieties of subjects, including
feelings, opinions and ideas.
5) The teachers
should determine the frequency of writing to be carried
out by the student. Once a day chair writing can be very
influential in rapidly developing student-writer’s writing
abilities.
6) Students-writers
are advised to be alert to topics for journal writing
conversations. Class discussion lectures, daily new reports,
book and magazines, even memories and dreams may furnish
the essential ideas most necessary for writing.
7) Student-writers
should be encouraged to use material from their journals
as a source of ideas for their ongoing writings.
8) Student-writers
should be provided with convenient opportunities to read
their daily journals, and teachers should respond with
encouraging remarks and possibly with arguments that reinforce
or dispute what they have written.
9) Modes of journal
writing can be chosen out of the student-writer’s products
to be read for stimulation and valuation. Thus, teachers
can encourage them on doing their journal writing constantly
and competitively.
10) Finally, student-writers
are strongly advised to review their journal entries at
times periodically.
In sum, one of the most advantageous techniques in collecting topics for writing
purposes besides keeping account of intellectual and emotional
self is to keep in the habit of journal writing as regularly
and unceasingly as possible. The adventures of the mind,
day by day, can be documented by date and to date, providing
a dependable idea and information storage to be retrieved
extemporaneously in writing projects. What is heard, seen
or done can be included on the journal to display whatever
perspective need to be elaborated on by more and more words.
Depending on such a crammed day-bag, full of miscellaneous
thoughts and ideas, the student-writer will be left with
no pretext but every encouraging motive to keep on writing,
even about those categorically indexed in the journal itself.
Focused free writing
Focused free writing is a prewriting technique within which the writer is involved
in focusing on a particular topic or an idea. The writer's
mind due to being engaged in focusing on a specific topic
can not wander about freely or almost recklessly, writing
down whatever may occur to his/her carefree easy-going uncontrolled
pen. In other words, the writer instead of being attached
to his/her unstructured thought-flow concentrates on a topic
beforehand and then he/she gets involved in writing what
plops out of his/her mind about the central idea or the
focus. Sometimes such a topic-oriented free writing is popularly
known as that of “guided free writing”. (Man and Man, 1990:7)
Focused free writing is one of the tools technically used
by the student-writer in his/her writing performances across
the curriculum. It provides the convenient opportunities
required zooming on a specific idea to develop that kind
of preparedness that enables him/her to elaborate on the
point he/she has in focus in mind. From time to time, it
happens that the student-writer digresses, drifting himself
far away from the original point and interrupts his/her
ideas but should attempt eventually to steer back toward
the central focus once more. Focused free writing can be
a good way to record initial reactions to a piece of reading
or a class discussion. Admittedly, focused free writing
can give the student-writer the right chance of writing
without worry. Of course, the student-writers who are lucky
to have the chance of experiencing with such a type of writing-tool
as a free writing exercises report that the technique helped
them to diligently get over the state of rigidness and paralysis.
They were found quite effective in the time they have been
vacantly blocked, being trapped, almost helplessly gaping
at a sheet of even unscratched paper. Student-writers are
seriously advised to unblock their blocks by implementing
such a miraculous prewriting technique in time of realising
genuine emergency.
Clustering
Clustering can be defined as a prewriting
technique that enables student-writer to choose an encircled
nucleic topic around which whatever may be found in relationship
with will be chosen to be jotted down in tree-branch like
relationship. The student-writer can select the ones that
can be found most crucial or potent enough to develop the
topic he/she aims at. Sometimes, clustering can be taken
for “inventory taking” (Man & Man 1989:14) but differing
slightly from brainstorming. Pica (1986:17) defines clustering
as “non-linear brainstorming process that generates ideas,
images and feelings around a stimulus word until a pattern
becomes discernible”. The whole process of clustering can
be reviewed, as such, in terms of Pica (1983:17). The student-writer
starts with a circled word or phrase in the middle of a
page, perhaps with a topic, a choice of his/her own, a word
connected with material being studied by the class. Then,
he/she writes words and phrases he/she associates with the
first word, circling them, arranging them around the first
word and drawing lines showing the connections worked out
in his/her mind, like spokes in a wheel. Additional associations
may arise with some or all of these new words and are added
to the diagram. The writer then can use this clustering
in a variety of ways. It can be used as an outline or list
of sub-topics he/she wishes to cover as scaffolding that
leads him/her to the issue he/she wants to focus on within
the larger topic in preparing a cluster diagram. Student-writers
are advised to let their thoughts flow freely and record
all the ideas that occur within them, circling and connecting
the ideas as appropriate items. The student-writer should
not pause to evaluate ideas or correct some errors and so
on. In case the student-writer runs out of idea, he/she
can study the branches of his/her cluster to explore the
relationship among the ideas or he/she can doodle a while
or trace over what he/she has already written until new
ideas surface (Clouse, 2006).
Looping
Looping is another interesting
variety of prewriting technique that at first looks quite
similar to focused free writing. In looping, primarily,
the student-writer is strictly required to write freely
and rapidly on a specific topic for at least five minutes.
In conducting such a type of writing, the student-writer
should ignore caring about grammaticality or accuracy. He/she
has to pour his/her easy-flowing thought on paper without
worrying himself/herself, giving attention to those types
of surface matters. After spending the present time duration
on authentic free writing, he/she has to read the finished
product, underlining what he/she may distinguish or believe
to be crucial, significant or necessary to bring about mature
development expected to be actualized in that connected
segment of writing. The lumpy part underlines whatever a
sentence or non-sentence is known as a controlling statement.
After having the controlling statement
from first loop concised, it will be jotted down on a separate
paper. Another five minutes of free writing will be expended
on expanding the new concise type of controlling statement.
A second loop will be created to spend a second five minutes
time of focus free writing elaborating in reference to the
second controlling idea. A third compacted controlling statement
can be derived this time and a third five minutes time can
be devoted once more for a focused free writing to the third
loop form.
Having done with those activities, the
writing can be read or reread. As a result, some focused
idea that can be used as the subject of an essay will be
readily evolved to confidently embark on.
Spack (1984:656) indicates that loop writing
is an “invention technique” by the application of which
the writer bides by “a non-stop writing in the absence of
self-censorship”. Then the writer gets engaged in reading,
reflecting and summarizing it up in a single sentence “what
has been written”. The student-writer is advised to repeat
the above process twice so as to adequately meet the stipulated
requirements. He can share the experience with cooperative
peers. In fact, it permits student-writers to get to know one another well, facilitating
social construction of knowledge (Zahorik & Dichanz,
1994).
Brainstorming
One of the most potent techniques instrumentally
used to generate as much as unexpected, even far-fetched
thoughts, ideas or viewpoints pertaining to student subjects
is the thought-provoking technique of brainstorming. Actually,
it enables student-writers to embark hopefully and willfully
on schematic composing, thus successfully manufacturing
fleshy slices of effective writings. Graves (1994) advises
to demonstrate to children how events from their everyday
lives can become grist for the writing mill. Writing teachers
can model this process, he explains, by selecting events
from one’s own life that student might find interesting.
Additionally, Graves (1994:57) notes writing teachers should
help children learn to "listen to themselves."
This news may come as a surprise to children who are frequently
admonished by adults to "listen to me!”.
This prewriting tool involves thinking
or jotting down ideas or viewpoints in the form of words,
phrases, clauses, sentences, or any thing else possible
flashing in the mind. Student-writers are advised to subject
themselves to such thought-provoking prewriting technique
without worrying about accuracy, or paying attention to
appropriacy or evaluating or analyzing such things as organization,
grammar, style, sentence structure, spelling or mechanics
or any other instance of linguistic surface matters if confronted
with. Having brainstorming properly performed, all associations
and interconnections will emerge, facilitating the exploration
of inter/intra-relationship, which will eventually lead
to the full generation of ideas. Brainstorming is mainly
resorted to by writers when they aim at generating ideas,
freeing thoughts, unblocking their arrested thinking, breaking
mental blocks or opening their minds to some other possible
ways of looking at a thing or a phenomenon.
Raimes (1983:10) suggests that “Brainstorming
can be done out loud in a class or a group, or individually
on a paper”, “even just two or three people bouncing ideas
off one another can generate an astonishing amount of material
in short time” (Messenger and Taylor 1989:29). The application
of brainstorming in a group involves the use of leading
questions to stimulate student thinking about a topic or
idea that is under focus. The question could be written
on the chalkboard and each student should think of providing
an answer to that question. Student-writers are usually
granted a short period of thinking-time or incubation period
to come up with their mediated answers which will be chosen
later to extend their answers, reactions and reflections
to that specific nominated question. The teacher or a student
can write those varieties and other students will be engaged
copying which ever may be found more fitting to be used
in their compositions or their essays, to be developed later.
The goal of brainstorming can be the
making of a list of topics, or data in a set-time period,
as well. One person will be elected to put him/her in charge
of recording the suggestions on the chalkboard, using short
phrases or single words. Attendants announce their viewpoints
and all will be recorded without ignoring any one’s contribution,
even if it is fund to be a repeated item. So, all proposals
without being evaluated or rejected will be included. In
fact, such class policy helps the list to eventually grow
and the weaker ideas inevitably evolve to better ones. In
the end, a long dependable list will be made ready for students
to select one or two of the most helpful viewpoints to push
them forward more.
Brainstorming as a quite powerful type
of popping machine which most of the time the competent
or successful writers make the best use of “to start ideas
flowing” (Shoemaker 1989:17). Moreover, it can not be ignored
that it is a versatile thinking tool which cab be used at
any stage of the writing process, as well.
Brainstorming involves thinking of as
many ideas as one can without worrying about such things
as organization or grammar. The purpose of brainstorming
is to help student-writers free their thoughts, breakdown
mental block; the feeling one gets when he/she does not
know what to write about, opening student’s mind to other
possible ways to looking and evaluating things.
To carry out such a fun and game like
exercise, the student-writers are advised to relax and let
their minds wander, near and far, where possible. This can
be realistically manifested alone or in collaboration with
the class partners. To reinforce what have been explored
and discovered a more focused brainstorming can be administered
to narrow down the thoughts generated; thus, accommodating
the message that is required for the potential audience
to have process and product processed complementing each
other. This can be undeniably realized when brainstorming
and outlining are processed in complementation. When writing
is planned, it will be clear and easy for the reader to
understand one system popularly used for planning called
outlining. The student-writer can practice combining
the freedom of brainstorming with the control of outlining.
This can lead to a more mature type of writing.
List writing /scratch outline
To generate thought or accumulate information
in reinforce to a subject or a topic, the student-writer
can make use of a prewriting technique known as that of
making lists. Primarily it can be implemented to
have the topics shaped from the subject. It can be summarised
as jotting whatever aspect of the subject concerned down
below without spending any time in evaluating or criticizing
the terms chosen to be even a columnar list. List writing
as a prewriting activity is also quite practical in generating
the required amount of ideas according to which such topics
can be developed. Student-writers should be directed to
arrange every thought segment occurring in a columnar manner.
Student, here, should avoid extending viewpoints in reference
to ideas already generated. Evaluation of the appropriacy
of the items however they can be worked out in the essay
should differ for the moment. In case emerging, the student-writer
runs out of thought he/she can benefit from the situation
and decide which items are helpful, and which are relevant
to the topic to be expanded into an essay. As a result,
the irrelevant items should be deleted and excluded from
the prepared list.
Next, from time to time, after having
the whole list inspected, student-writers may be witnessed
almost confronted with an exigency to add some more related
ideas to the list. After having studied the accumulated
ideas, an adequate list of relevant thoughts and ideas will
be readily in access to be included in the essay. Most student-writers
are reported to have been totally satisfied with the act
of list writing since their prospective objectives
are gradually met. Some other writer takes a step further
by planning to come up with a scratch outline. To
prepare a scratch outline, the thought items related to
each other will be grouped in different smaller lists. The
developing policy will be brought to focus on preparing
multiple lists out of the first single prototype list. It
can be supposed here that a student-writer has already written
a list on why his/her grade was the lowest in one of the
courses taken. Three of the items in the list may be referred
to note-taking, five of them to not having successful learning
habits and four of them can be related to the absence of
frequency, and six of them is the interrelation to not exercising
punctual reading, or doing preparations. In consequence
four lists are going to be prepared --- one idea is about
poor note taking, one idea is about unsuccessful learning
habits, one more idea about the absence of frequency and
the last about not being punctual in preparation. If such
a procedure is followed, steps further than listing is also
done. Besides making a list, the student-writer has brought
into his/her scratch outline some kind of organization to
the whole task. Of course, such an achievement can help
student-writers to even guess how many of the paragraphs
in the essay can be developed or what shape the finalizing
composition take up to itself.
To conclude, a scratch outline
can often be the most helpful single technique for writing
a good paper. It is an excellent follow-up activity to the
prewriting techniques already mentioned: brainstorming,
free writing, and making a list. In a scratch outline the
student-writer can think carefully about the exact point
he/she is making, about the exact item that he/she wants
to support, and above all, the exact order in which he/she
wants to arrange those items. The scratch outline is, then,
a plan or a blue print that will help student-writers achieve
a unified, supported and organized composition.
Inventory
As a prewriting technique, in the process
of utilizing inventory as an effective technique
to provide thought and to recall and stimulate thinking,
a student-writer is required to recall his/her knowledge,
beliefs and feelings about a specific subject for full consideration.
When the inventory is realized, information can be
recorded to yield and generate new unexpected ideas. Consequently,
inventory serves as a means of developing a focus
to expand the topic and to expound on its ramifications.
Besides, it acts as a rich source of information and ideas:
thus, fulfilling the assignment requirements more successfully
and penetratively.
Inventory can be handled when both techniques, brainstorming and clustering,
are put into practical use. Like cubing, both brainstorming
and clustering, assume that the student-writer has already
settled down on a topic to start readily with. As it has
been assumed with cubing, both brainstorming and clustering
anticipate the choice of student-writers cover a general
subject by means of which the writing assignment can be
readily embarked on.
Conclusion
Writing teachers, on implementing the
labeled process prewriting procedures, will create that
kind of environment in which student-writers functionally
benefit from. Student-writers will eventually realize the
true intentions of a shift. They become aware of themselves
what to what to quit and what to adapt. They can realize
how the process procedures can boost and enhance their development
as writers in a meaning-making context. They can convince
themselves that dormant thought can be provoked to generate
cumulative knowledge based on which a finished product can
be successfully accomplished. They in fact genuinely assimilate
the idea that writing is a process by means of which one
can discover what s/he actually knows. They student-writers
accordingly will readily submit themselves on substantially
generating dynamic content to the tenet that advocates writing
writes.
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