Project Management: Art or Discipline?
By
André Barcaui,
MsC, PMP is a consultant and management coach,
Brazil
bbbrothers[at]bbbrothers.com.br
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Versão
em português
The
balance necessary to become an excellent project manager
A good deal is being discussed about project management
these days, both in academic and professional circles.
But to what extent can the activity of managing a
team toward a specific goal with a fixed deadline
be considered a discipline? And if it is not in fact
a discipline, how can we aspire to teach it through
management improvement courses or certifications?
Which is the most important variable when conducting
a project: technical and methodological knowledge
or the so-called interpersonal skills of the one managing
it?
In
other words, is it preferable to have a manager with
extensive technical knowledge but little experience
and familiarity with people management? Or would it
be better to consider a manager with little or even
no technical knowledge, but who is better than anyone
at handling the interpersonal side and team relationships?
Maybe there is a middle path, such as a manager who
is adept in both areas. Yet if that is the case, what
is the ideal composition of each competency? Should
this composition vary according to the type of project
being managed?
Projects
vs. People
Regardless
of the industry segment or business field, project
management has grown exponentially in the job market
and the interest for this activity has been rather
significant in the corporate arena. This is mainly
because companies seek to better meet the need for
increasingly better, faster and cheaper production
with fewer resources and sustainable quality. This
fact has been confirmed by the great interest in project
management careers and by the amount of investments
currently being made in training, consulting and tools.
In
the book Gerente também é Gente: Um Romance sobre
Gerência de Projetos (Managers Are People Too: A Novel
about Project Management), the story’s main character
has been recently promoted to manager and must face
three projects with different levels of complexity
throughout his saga. To accomplish the task, he is
helped by a more experienced manager who ends up teaching
him that managing projects is much more than simply
using techniques and tools. To be successful, one
must know people well, and the protagonist finally
learns this truth while he faces the challenge of
managing his professional and personal life. The book
attempts to present a point of view that is less restricted
to methods and processes. This more inclusive approach
considers the human side of project management, and
covers issues such as personal conflicts, lack of
confidence and fears intrinsic to the job.
In
real life, the project manager, leader or coordinator
plays a fundamental role ensuring the success of an
organization’s projects. If we agree that these projects
represent the means for carrying out the company’s
business strategy, the importance of having a good
manager in charge is a critical factor for such success.
However, the qualities that make a successful project
manager are not always so easy to outline.
Historically,
technical knowledge, business familiarity and academic
background were deemed fundamental factors for choosing
a manager. More recently, however, other qualities
have come to be recognized. Skills that before were
only desirable have now gained another degree of importance.
These include: interpersonal relationship, conflict
management, emotional intelligence, leadership, communication,
negotiation, coaching, etc. The sum of all these qualities
certainly weighs significantly in the profile of a
successful manager. Nevertheless, the role played
by this set of managing skills in the overall formation
of such a profile has yet to be precisely defined,
especially in relation to other “classic” and more
discipline-related skills, such as the use of methodology,
discipline and technical knowledge.
Even
the Project Management Institute (PMI) showed a more
obvious appreciation of some of the qualities related
to team direction and stakeholder management in the
most recent version of the Project Management Body
of Knowledge (PMBoK). Some of the changes made to
the areas of knowledge suggested that project management
should be more “humanized,” as opposed to only the
manager’s set of technical skills as a planner, controller,
executer and the person responsible for the project
as a whole. Although legitimate, this movement raises
an interesting discussion about the extent to which
the management skills (considered by many authors
as “the art of management”) can be even more fundamental
than technical knowledge itself when coupled with
strong management methodology. We could take the image
of an iceberg as an example to illustrate this attitude
towards project management, as shown in the figure
below:
|
Graphic Representation
of Project Management |
Management
Practices
According
to the PMBoK Guide, the relationship between different
management practices could be represented by three
interdisciplinary dimensions. The first includes practices
and knowledge generally accepted in the field of project
management, involving the knowledge of management
methodology, tools, techniques and concepts. Another
dimension is that of the practices related to the
project’s specific area of application. These can
normally be described through functional departments,
technical elements, expertise, technical training
and/or industry groups. The third and last dimension
includes the so-called general management practices,
often represented by planning, team setup and management,
organization and decision making, among other competencies.
This last dimension is associated with the “art” of
management, which involves the individual experience
and involvement of each manager. It also serves as
a differential for the individual. The mastery of
each of these areas has a high degree of significance
for guaranteeing successful projects. Although they
are not necessarily proportional, there is an overlap
between the three dimensions of management practices,
as shown below:
|
Project Management
in Relation to Other Management Practices
Source: PMBoK Guide, version 3. |
It
is also very difficult to form a general opinion for
each and every kind of project. For this reason, we
have defined a simple typology here, since the range
of possibilities is extreme (due to factors like complexity,
value, risks and other variables associated with project
management). If this massive range of types were not
segmented in some way, we would run the risk of getting
a single explanation for multiple scenarios. The adopted
typology follows a model based on the complexity and
size of each project. “Complexity” is used here to
mean the degree of difficulty in terms of the project’s
technical, innovative, political and circumstantial
aspects, or a combination of these variables. “Size”
is meant to represent more linear variables such as
value, project length and associated risks. Based
o these assumptions, we created the following diagram,
which represents the various kinds of projects in
four distinct quadrants, where:
Q1 = Small Size
vs. Low Complexity
Q1 = Small Size vs. High Complexity
Q3 = Large Size vs. High Complexity
Q3 = Large Size vs. Low Complexity |
Quadrants
for Project Classification |
The
Victory of Discipline
It
is also essential to define what is considered a
successful project. Are we speaking only of the
classic definition, which involves scope, time,
cost, quality and client satisfaction? Or should
we also consider the morale of the team and of all
the other stakeholders involved? It should be stressed
that there are various other definitions of success
that could also be included in this group of metrics.
For some authors, for example, success should even
be considered situational, since it also depends
on who analyzes the results and the time at which
they are analyzed.
Based
on the purely academic definition of success, discipline
prevails over “art” in the degree that it plans,
organizes and controls the project goals. Besides,
in certain project environments and segments, especially
those related to quadrants 1 and 2, it is almost
impossible not to have some kind of technical knowledge,
since the team itself demands this type of leadership
from the manager. The language and jargon used,
and even slang, often help build credibility and
improve the team’s impression of its leader.
Although
hard to generalize, this observation is valid for
certain industry segments, for short-term projects
or those with above-average technical complexity.
It also varies according to the type of business,
the company’s degree of project-readiness and especially
the level of project management maturity of the
department or organizational being analyzed. There
are certain situations in which technical knowledge,
methodology and management training itself end up
influencing the success of the project. In other
words, discipline becomes necessary because of the
very nature of the project. A minimum amount of
technical knowledge is always desirable, and in
some cases, indispensable. But what is the percentage
of time a project manager should spend on concerns
of this kind when compared to project strategy and
stakeholder management, for example?
The
Victory of Art
There
is a consensus among professionals in the area that
in order to know to what extent discipline should
be exercised, one needs a great deal of experience,
common sense and other qualities that make up what
we are here calling “art”. Discipline in and of
itself, especially in quadrant 3 (high complexity
and large size) does not become obsolete or useless,
yet perhaps less required. Technical and methodological
knowledge is clearly important, but the type of
demands faced by a manager of large projects normally
involves characteristics that are more related to
interpersonal and strategic skills than those of
a merely technical nature.
A
possible analogy to be considered is that of directors
of large companies. Every detail of the operation
is not necessarily known, but they can count on
professionals and staff members under them who are
able to perform their duties and offer guidance
for the necessary technical decisions. Perhaps the
manager who is highly skilled in a specific area
or has a strong technical background can over-influence
the team’s creativity or lose focus, since they
would have to make use of a more holistic and less
detail-oriented approach to the processes. In his
article “MicroManager” (2001), Edward P. Youngberg
comments on the thin line separating control and
obsession in project management. Among other things,
the author highlights the concern a manager must
have with the project as a whole and not only with
the details of its organization. “Art” might just
be the answer to discovering this balance. Where
to invest more time, or the area about which they
should and could be more concerned.
Another
remarkable fact is the influence that managers have
over their teams. They spend quite a bit of time
together. The hours spent with the team can even
surpass those spent with the stakeholders of the
manager’s personal life. This means that the team
must be fully comfortable with the manager’s presence.
Otherwise, the daily routine can become torture.
Herein lies the value of the so-called “art.”
Conclusion
This
article does not intend to have the final word on
what is most relevant in a project manager’s profile,
simply because some of the qualities covered here
can only be acquired with time and experience. However,
it is interesting to note how the project management
profession is in a constant state of evolution.
The quest to update and improve is part of this
professional’s profile. The role played by technique
and methodology in environments with increasingly
more complex demands cannot be ignored. Nevertheless,
as insightfully observed in the novel Gerente Também
é Gente, one has to acknowledge that those behind
any and every project are people too, not machines.
Hence, the more the project manager “understands”
people, the higher the chances for success. Therefore,
it is worthwhile to invest in and learn more about
the interpersonal skills included in this article,
and to which I refer to as “art.” These are the
skills that will be frequently decisive in situations
such as acceptance requests, change requisitions,
stakeholder behavior forecast and meetings, i.e.
everything that leads to the success of any enterprise.
Article
originally published in Revista MundoPM
- Project Management magazine (www.mundopm.com.br),
issue 09 - June/July 2006, page 30.
André
B. Barcaui, MsC, PMP is a consultant
and management coach. Having earned several MBAs,
he is the author of the book Gerente Também
é Gente: Um Romance sobre Gerência de
Projetos, published by Brasport, and co-author of
Gerenciamento de Tempo em Projetos, published by FGV
Management.
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